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 Last Updated:  Oct. 29, 2026
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 KEY:  A ≋   - available; typeset PDF tablature with detailed fingering
       F ≋   - as per A ≋, but free (sign-in required, with one exception...)
         ≋   - more or less done; “in the bag”
         +   - good progress has been made
         ·   - in progress (or “under consideration” incl. a tentative tuning)
         ▶   - signifies that a piece is currently receiving focused work,
               and will probably become the next completed transcription
 [1-4][xhme] - fidelity and facility codes
 
    fidelity: 4 = very literal, say 98% pitches and minimal register collapse
              3 = quite literal, perhaps 96% and some register collapse
              2 = fairly literal, say 93% (e.g. drops an inner voice in spots)
              1 = mere arrangement, or duo (however concert-worthy)

    facility: e = relatively easy (as, say, Villa-Lobos Prélude No.1)
              m = marginally more difficult than e
              h = truly difficult!
              x = very difficult by any human standard

  Neither fidelity nor facility necessarily impact the performance worth
  of any of the works, which are all fantastic pieces of music if only
  you can pull them off technically.  Even at fidelity 2, the sacrifices
  are carefully calculated, and the effect to the listener should still
  be something like unmarred literal fidelity.

  For me, an m facility is around Villa-Lobos Chôros No.1 (to keep
  picking on him), an h facility means I'll need to give all I've got
  to play the piece well, and an x facility means I'll need to somehow
  give even more, and (while having great fun) will probably never
  achieve fluency...  Fortunately, there are only two x so far.
  The frequent, faint 3m classification is merely “default”, and
  some of those will be changing categories as they get more work.

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            Janáček
  3m   +     In the Mists - No.1
  3m   +                  - No.3
  3h   ≋                  - No.4
             On an Overgrown Path
  4m A ≋        Series I - No.2  mostly easy; a few tricky bars though
  4m A ≋                 - No.5
  4m A ≋        Series II - No.1  love this piece!
  4h A ≋     A Recollection  martellato in both hands simultaneously!
             Sonata 1.X.1905 (“From the Street”)
  4h A ≋        Con moto (Foreboding)
  4h A ≋        Adagio (Death)
            Scriabin
  1m   +     Impromptu, Op.14, No.2  but not for solo guitar; wants vocalist
  4m A ≋     Mazurka, Op.25, No.3  std. tuning, and std. CG score provided
             Préludes, Op.11 (complete)
  2e A ≋        No.1  well, relatively easy... sounds great despite infidelities
  3m A ≋        No.2  mostly easy, but complex (contrapuntal); std. tuning
  4m A ≋        No.3  perfect fidelity! sempre molto campanella
  3m A ≋        No.4  good fidelity depite some register collapse; std. tuning
  4h A ≋        No.5  difficult but pretty sweet...
  3m   ·        No.6  hammer étude! (←2016 remark/plan...)
  3m   ·        No.7
  3m   +        No.8
  3m   ·        No.9
  3m   +        No.10
  3m   +        No.11
  3m   ≋        No.12
  4m A ≋        No.13  standard tuning; or flatted standard for the original key
  3m   ·        No.14
  3m   ·        No.15
  3m   ·        No.16
  3m   ·        No.17
  3m   ·        No.18
  3m   ·        No.19  umm ... good luck with that
  3m   ·        No.20
  3m   ·        No.21
  3m   ·        No.22
  3m   ·        No.23  “barely” but can’t omit just one!
  3m   +        No.24
  4h A ≋     Prélude, Op.22, No.1   most devastating elegy ever to grace a page!
  4h   ≋     Poème, Op.32, No.1
  3m   ·     Prélude, Op.15, No.1  ...possibly not working out
  3m   ·     Prélude, Op.16, No.1
  3m   ·     Prélude, Op.16, No.3
  1h   ·     Sonata No.3  arrangement? — that would be fun!...
  4m A ≋     Mazurka, Op.40, No.2
  3h A ≋     Étude, Op.8, No.2  particularly fine, even with fidelity barely 3
  3m ▶ ≋     Étude, Op.42, No.4  2016's facility 'm' designation is doubtful!
            Liszt
  4e A ≋     Nuages Gris  one of the few with a standard CG score prepared
  3h F ≋     Eglogue  flatted drop-D; or standard drop-D to play in A major
            Debussy
  2h A ≋     Les collines d’Anacapri  ...challenging but excellent...
  4m A ≋     Des pas sur la neige  essentially perfect fidelity
  4m   ≋     La fille aux cheveux de lin
  2x A ≋     Jardins sous la pluie  difficult but possible, and quite literal
  1h F ≋     Petite Suite - Menuet  lovingly arranged; fixed drop-D tuning
            Ravel
  4h A ≋     Sonatine, 1st mvt.  two fixed tuning options, one being standard
  3m         Sonatine, 2nd mvt.  not yet attempted
  3m   +     Sonatine, 3rd mvt.
  3m   +     Le Tombeau de Couperin - Prélude
  3m   +                            - Fugue
  3m A ≋     À la manière de Borodine
  3m   ·     À la manière de Chabrier  unexpectedly intractable...
  3h   +     Menuet sur le nom d'Haydn
  3x   +     Menuet Antique
            Poulenc
  3h   +     Napoli, Caprice Italien ... with some cuts
  4e   ≋     Suite Française: Carillon
  3m   +     Nocturne No.1
  4m A ≋     Nocturne No.3 (“Les cloches de Malines”)
            Fauré
  3h   +     13th Nocturne, Op.119 ... with some cuts
            Beethoven
  3h   +     Sonata, Op.111, 2nd mvt.
            Schumann
             Kinderszenen, Op.15 (selections in one tuning)
  3e F ≋        No.1 Von fremden Ländern und Menschen
  3m   ·        No.5 Glückes genug  not panning out; no biggie
  3h A ≋        No.9 Ritter von Stekenpferd  difficult at tempo anyway
  3e A ≋        No.12 Kind im Einschlummern  will designate as “easy” but...
  4m A ≋        No.13 Der Dichter spricht
  3m   +     Kinderszenen, Op.15, No.7 Träumerei  decided not; many exist
  3h F ≋     Fantasiestücke, Op.111, No.1
            Borodin
             Petite Suite (selections)
  4m A ≋        Mazurka No.1  quite possibly the cheerfulest music ever penned!
  3e   ≋        Serenade
  4e A ≋        meta-Intermezzo  easy, quaint loop; tab supports standard tuning
  3m   ·        whole Intermezzo  ...is also still feasible
            Schubert
  4h A ≋     Impromptu D.899 (Op.90), No.3  11 pages; single fixed tuning!
  4m F ≋     Sonata D.960, 2nd mvt.  first section (42 measures) only
======================================

The typesetting still has some glitches, but I believe SHA512 of
the PDFs will suffice for copyright on these transcriptions.

all-transcriptions-so-far-typeset-20201125.pdf : 642b8e3b6e1aadc0958fbde67051e79395fc8097f4237cb7a4e5885110d3b64456bc18976c5cfb3223dea3670b5ca2d0d5533bc6e2e93f5e1c0db1e2acd50eaa

This includes all Transcriptions marked A or F in the list (https://museclef.com/transcriptions), to date Nov. 25, 2020:

borodin-petite-suite-mazurka-no1
borodin-petite-suite-meta-intermezzo
debussy-jardins
janacek-recollection
janacek-sonata-1.X.1905 (complete)
liszt-eglogue
poulenc-nocturne-no3
ravel-sonatine-1st-mvt-drop
ravel-sonatine-1st-mvt-std
schubert-impromptu-op90-no3
schubert-sonata-d960-andante-incipit
schumann-kinderszenen-op15-no1
scriabin-op11-no13

seniuk-scriabin-op8-no2-20201205.pdf : 0e8cc13a58dc3f6892bf523aece4d872fb2367932904728ab7337e1ac104df6049755609edbe17c1f96ea5f46e913161097a29d5db581c4ba7b1574600ab0760
seniuk-schumann-fantasiestucke-op111-no1-scratcher-20260723.pdf : 616f522a7319b2c9d79919df15f7d9e40c58c3f6fc81e24d76d55b8e7f45f5af111e47c7983637cb0b177c2a79752baadab48e990cfe199adf81d27c69f3cac7